Recently, I received a copy of the letter William Lewis, CIO, sent to faculty, staff and
students at Arizona State University (ASU). This letter was with regards to the ASU policy
on the use of computing resources at the school that might infringe on the rights of others.
Included in this letter was information and links about the Recording Industry Association
of America's pressures on universities to stop what was referred to as the "piracy".
According to this letter, the RIAA has urged universities to "bring this piracy under
control". Furthermore, the letter states that the RIAA "has not limited their legal
challenges to the creators of the programs used to facilitate trading movies and music.
They have begun to pursue individual users, including students." There is a link to Signal
or Noise, a conference held at Harvard. This conference was held in February 2000. As a
distance learning student at Harvard's Berkman Center, I attended this conference as a
bonus to my coursework.
While I understand certain ethic questions might arise regarding the sharing of music,
I have studied the Digital Millennium Copyright Act (DMCA) at great lengths and find no
instances that indicate file sharing for non-commercial music is a crime. In 2001, I
attended a cyberlaw course with Dennis Karjala, a copyright expert, at ASU. I believe
that as it currently stands, the Audio Home Recording Act (AHRA), Title 17, Chapter 10,
Subchapter D, Section 1008, secures the recording and storage of audio files because a
computer is NOT or should not be considered a "device SPECIFICALLY designed to store and
record audio..." as long as the audio files are used in a non-commercial way. According
to the minidisc site http://www.minidisc.org/ahra.html, a site that the RIAA owned stated
that "As long as the copying is done for noncommericial use, the AHRA gives consumers
immunity from suit for all analog music copying, and for digital music copying with AHRA
covered devices."
On this site, the following text, "It is important to note that the AHRA does not say
that such copying is lawful; it simply provides an immunity from suit." indicates that
the RIAA or author wants people to understand the AHRA does not say copying is lawful.
While the AHRA might not make copying lawful, the AHRA does protect users from a lawsuit.
If this is true, then why did the RIAA, knowingly recently sue university students? Was
that a strategy to intimidate and frighten the students? The RIAA would never have won
such a case, because of the AHRA, unless of course, those students were copying and
sharing for profit. The RIAA is aware of the AHRA as they tried to stop Diamond RIO
unsucessfully using the AHRA.
Recently, I corresponded with one of the students who settled a music sharing suit with
the RIAA. I apologized to this young man for not informing him sooner of his rights.
Unfortunately, his life savings is now depleted because of the RIAA, their intimidation
methods, and his lack of correct information.
While some might believe the DMCA or "newer copyright" might override the AHRA
(Audio Home Recording Act), I have yet to read anything but subscription services entered
in that section. I challenge anyone to find differently.
There are several different architectures of file sharing, as you may or may not know.
One highly available file sharing system is a Windows share based on the SMB protocol
developed by Microsoft to allow remote access to disk resources over a network. It was
developed before the Internet was flooded in use by the general public. This protocol
was only really used for a LAN environment. However, it is routable over the Internet
and allows users to offer files to others.
While Microsoft had this proprietary networking system, TCP/IP was developed for UNIX
systems. There are similarities between the two, however TCP/IP is simply a backbone
for communication and doesn't include interfaces for actual sharing such as password
options. Nevertheless, to say that file sharing systems such as GNUTELLA, KaZaa, Napster,
AudioGalaxy, SwapNut, Edonkey2000, DirectConnect, and FreeNET are unique or somehow
specialized for copyright abuse or infringement is rather absurd since these are riding
on top of TCP/IP which bears similarity to SMB which many universities use to provide
students with access to instructor classroom storage drives, student personal storage
space and they are sometimes used to allow remote applications to be used by students
across a network.
The particular implementation of the user interface might be questionable. The popularity
of such an interface may be greater than the popularity of a more mundane interface used
for jobs and tasks performed by the users. This does not justify labeling sharing services
as evil. The blame and responsibility falls upon the users. Some people have been claiming
that widespread use of these interfaces might as well be accepted. That might be
unfortunate for the interests of the RIAA, Motion Picture Association of America (MPAA)
and other copyright management organizations. However, these organizations are merely equal
players in the world just as anyone else. Though they may have rights granted by "law",
they are in no way entitled to special treatment, nor do they have the authority to take
actions against the producers of the software
In other words, it's just software. Can a tool commit a crime in and of itself? If not,
as seems to make most sense, then is it not absurd to make laws that can only arbitrarily
criminalize a tool, for no other reason than a fear of infringement?
In some file sharing services, such as SMB, Gnutella and Gnutella based file sharing service
s, the content is ONLY on the users' drives.
The indexing of content is performed on each and every connected computer, unlike Napster
which collected search results to a central server and could have been considered not so
much accessory to infringement, but able to control the distribution of those files.
There is a middle ground for some file sharing systems which connect in a distributed
fashion like GNUtella based, but may use caching or multiple, centralized indexes as a
way of improving performance but these services have much less control over indexes
than Napster did so it's unlikely they can be considered as controllable gateway to
the files and so cannot even be considered even partially liable or responsible.
It is important to take into account the architecture of the systems, the fact that every
Windows system had a file sharing system to begin with, though may not be as user
friendly as these "infamous" ones and to take into account there are reasonable
limits to what the copyright management organizations should be allowed to prosecute
regardless how much supposed damage these "tools" are causing, if any.
And again, we must remember that the AHRA legalizes non-commercial recording and storage
of audio files.
Granted, ASU and other universities seem to think it is well within their "rights"
(private property) to spy on, monitor and punish students. However, I believe the
assertation that it is "illegal" to share music files or store and record music files
as false and challenge any legal department to find otherwise. Regardless of the legality
of the music sharing, users are immune to any lawsuits as long as the music is copied for
non-commercial purposes.
The controversy over music copying can be put to rest as more people understand their
rights in this matter. Copyright, patent and trademark law is transforming. The old
bargain between copyright owner and user is hanging in the balance. As it stands today,
it looks like this law protects the user. Now it is up to us to inform each other and
protect ourselves.